Self Publishing

Can You Afford To Publish Your Book?
Money blinds. It's as simple as that. Aspiring authors ask about the money issue all the time, in varying forms, (How much does it cost to publish? How much will I get paid in royalties?, etc.) but they can't see beyond that issue to think about the thing that will truly decide the money question. And here it is:

What Do You Want From Your Book?

That is the real question! Once you are clear about what you want out of the publishing process, you can decide what route would be the most satisfying--and profitable--for you. When it comes right down it it, you can spend as much or as little as you want on your book. But how much are you willing to spend to get what you want?

When you aren't clear, you can make poor decisions that won't line up with your goals. For instance, many authors have a goal of making a lot of money, but they won't consider self publishing. The fact is that unless you can immediately sell on the level of an Oprah's Book Club selection or a James Patterson or a Dan Brown, it's going to take a very long time before your royalties add up to much. When you self publish you take on risk, but you stand to gain much more because you get to keep all the profits (unless your agreement with the publishing company you use is a royalties-based one).

Another strong reason to self publish: you can use your first book to build your platform for a bigger deal with a traditional publishing house in the future. Again, you can choose the self publishing deal that's right for you. A print on demand company such as Xlibris charges just $500 for a basic package where you can get your book produced and copies made as they are ordered--so no inventory. Of course, when you pay more, you get more: better design, distribution services, maybe even some marketing help.

The Traditional Road

If your dreams of authorship include larger audiences and the literary status that comes of being published by one of the many arms of Random House, Warner or Simon & Schuster, that's fine--just know that this route isn't exactly free either. No, you don't have to pay a traditional publishing house and yes, they do everything for you (design, distribution, some advertising and marketing), but these days a writer is expected to spend a little too on promoting the book. Many writers are even putting the amount they've set aside in their book proposals. If you're serious about marketing your book, you'll need to set aside at least $10,000. That amount can go as high as $30,000 depending on the amount of travel and other advertising you intend to use.

Smart Money, Dumb Money

Once you understand what you want out of your book, you'll not only know how much you're willing to spend, you'll also know better how to spend it. You can spend it smart or you can spend it dumb. Many writers spend it dumbly because they don't know what they want. If you're spending money on educating yourself about publishing, improving your writing skills, hiring a good editor or book consultant, and marketing that will help you reach your specific, targeted reader, that's all smart money. You will get more out of those dollars than if you had never spent it at all. You are investing in your writing career.

But if you spend money because someone told you this is "the only way you'll ever get this book published" (and you haven't researched any other ways), or buy advertising simply because it's where other books are advertised, or go to writer's conferences with no clear plan of what you want out of them, or pay agents "reader fees", or pay editors whose work you don't know or whose references you haven't checked, that's dumb money. You'll put those dollars out there and see little or no return.

So I guess the bad news is publishing isn't free. The good news is you have a choice as to how much you spend and where you spend it. Be an educated consumer as well as an educated--and talented--writer. You'll find that to have a book published in the way you want it published is still in the end--priceless.


? 2005 Sophfronia Scott

Author and Writing Coach Sophfronia Scott is "The Book Sistah" TM. Get her FREE REPORT, "The 5 Big Mistakes Most Writers Make When Trying to Get Published" and her FREE online writing and publishing tips at <a href="http://www.TheBookSistah.com">http://www.TheBookSistah.com</a>

Successful Self-Publishing
Successful Self-Publishing Terence Tam Issue 1: January 2007 Inside this issue: Developing a marketing plan for your book. Discover how a carefully structured marketing plan can make the world of difference to the commercial viability and success of your book project. Read more. ---------------------------------------------------------------------------------------------------------------------------- Developing a Marketing Plan for your Book A marketing plan is a business development document designed to help you identify and plan out the actual activities that will promote and sell a product or service. It is a crucial planning tool that provides focus and check-list type clarity. Marketing programmes attempted without the backup of a proper plan, often fall victim to an unstructured, ad-hoc approach and money down the drain. Why should you develop a marketing plan for your book? A book may not seem like the kind of item relevant for the development of a marketing plan. This is definitely wrong. Your book is ultimately a product. It is a commercial item that must be promoted and distributed to a pre- targeted marketplace. Approaching the sale of your book in this professional and business-like manner is the best platform to realise any kind of commercial success. Core components of your marketing plan The marketing plan for your book does not need to be an elaborate, 20+ page document full of graphs and market research analysis. This will be your marketing plan, for your book. It does need to be a clearly written and sharply presented professional document, suitable for bookstore buyers/managers, publishers and distributors to review. However, it only needs to reflect the fundamental essentials that will influence the potential commercial success of your ‘product.’ Goals and Objectives Establishing clear goals and objectives for the commercial success that you would like to achieve from your book is the first step in the development of the overall marketing plan. Think of these goals in terms of numbers. How many units of the book do you aim to sell and over what period of time? Taking into account your estimated retail price per book, how much revenue (money made before costs and tax) and profit (money left after costs and tax) do you anticipate from your unit target? Target Audience: Who exactly are the people most likely to be interested in reading your book? Create a picture of this person in your minds eye, and describe this profile within the plan. Are they male or female readers? What age? What kind of social or economic background do they come from? What level of education are they likely to have? Unique selling proposition (USP): You now have a profile picture of the type of person most likely to read your book. Now, clearly define this next essential question â€" why would this person want to read your book? Does the book address important social issues such as politics, economy, health, war or religion? Is it going to evoke strong emotive response? Will it capture the minds and hearts of the audience? How? In what way will it strive to achieve this? The qualities that will entice your target audience are the qualities that make your book unique. These unique characteristics form the foundation of your USP. They are the core messages that should be openly and clearly emphasised in all your promotional and selling activity for the book. Study the back covers of books in your local store. How does the text describe the book? What unique statements does it emphasise to capture and hook your attention? These back covers may appear to be simple synopses, but they use the essential principles of a USP. Promotional Activities: What promotional activities will you implement to generate publicity and public awareness of your book â€" especially among your selected target audience? Will you use media, through public relations or press advertisements? Will you look for speaking or networking events relevant to your book topic? How much of a role will the internet play? Do you plan to host a book launch event? Developing a marketing plan is your opportunity to think precisely about what strategies and activities you will engage in, and structure them in a tangible form. A marketing plan also gives you the best forum to plan out the specific details for each individual activity - such as timeframes and dates, costs, essential contacts and suppliers. In summary, a marketing plan is not a ‘quick and easy’ document. It requires thought, research and planning. Developing one really should be approached as a project in its own right. I guarantee however, that the time spent will be a worthwhile investment in the commercial success of your book. It will represent all your hard work in a professional fashion, and create a strong business impression. ----------------------------------------------------------------------------------------------------------------------------------------- Terence Tam is the CEO of Book Pal and is a self publisher himself. His vision is to help both experienced and budding authors self publish their books. Book Pal also prints print on demand books to help the author print the number of books they require. Please visit www.bookpal.com.au ----------------------------------------------------------------------------------------------------------------------------

Terence Tam is CEO of Book Pal, a company specialising in self publishing and book printing Australia wide. He is a self publisher himself. His company also excels in printing print on demand books.

Successful Self Publishing-February 2007
Successful Self-Publishing
Issue 2: February, 2007


Inside this issue:
How to get your book into stores.
Pitching your book to retail bookstores and chains can be a time consuming and frustrating process. In this issue, we help prepare you for increased chances of success. Read more.

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How to get your Book into Stores

Getting your book successfully onto the shelves of a bookstore is easier said than done. Major bookstore chains are notoriously difficult to win over. Even smaller bookstores, where your chances of reaching the person with the purchase authority are more likely â€" are still very choosy and cautious. Especially when presented with new books from unknown authors.

Without the representation and backing of a major publishing house, you will be entirely responsible for every aspect of this process. Promoting your book to stores is not complicated. But it can be a long and disheartening process that requires persistence, staying power, determination, conviction and total
belief in the ‘great read’ quality of your work.


Identify your targets
The key to successfully selling into a bookstore is to start small. Identify and target smaller local bookstores and boutique stores specific to the topic of your book. Aim to saturate your entire local market place. Having a measure of regional success will also help in convincing larger chain stores that your book is a worthwhile commercial product, suitable for a national and even an international marketplace.


Develop and prepare your pitch
Initiating contact and approaching bookstore buyers in the right way is essential. Sending an initial ‘sales package’ followed up by a polite phone call, is probably the most effective platform for getting your foot in the proverbial door. The package should be based on a carefully developed sales letter, accompanied by a complimentary copy of your book.

By sending a package through the post, you are allowing the bookstore buyer time to absorb and consider your book and proposal. When you call a week later, you are then ‘warm calling’ rather than cold calling â€" as they have already had initial contact from you. They are a lot more likely to be receptive and interested. Getting your sales letter right is vital. Keep it at two pages maximum, and ensure it contains all the following core points:

* Introduction: introduce yourself and your book, and state that your reason for contact is to enquire as to their potential interest in purchasing your book
for stock.
* Book summary: a short (one paragraph) summary of the core plot of the book
* Book commercial impact: state who would want to read your book (target audience) and why (USP)
* Your credibility: clarify any background and experience you have in writing, or your specific experience and authority in the subject matter.
* Pricing proposal: put forward your proposal for the retail price of the book, and bookstore commission or preference for outright purchase.
* Business development: state that you are engaging in a comprehensive marketing programme for promotion of the book, and that the marketing plan is available for them to review.
* Guarantee: state that you will offer a full refund for books purchased outright, that do not sell within a specified timeframe (8-10 weeks)

Know what the bookstores want
Referencing to your marketing plan within the sales letter is important. It indicates your proactive and professional business approach to the sale of your book. Bookstores will want to know what you are actively doing to promote your book. They do not like to sit on dead inventory. If they feel confident that any books they buy from you can be promoted and sold through marketing and promotional activity directly driven by you â€" they are more likely to purchase.

Create strong relationships
The founding principle behind successfully selling anything is by establishing genuine and positive human connections. Taking the time to initiate and
cultivate lasting relationships with bookstore owners and buyers will dramatically increase your chances of getting your book on their shelves.

Even if initially, they feel your work is not right, by presenting yourself as a professional and credible author and self publisher â€" they are significantly more likely to be open to being pitched on any subsequent projects you may develop. Even if they do say no the first time, keep the relationship open and positive. Send a short follow-up email or letter thanking them for their time regardless. It could pay dividends in the future.

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This article has been written by Terence Tam, CEO of Book Pal, a self publishing and book printing company based in Brisbane, Australia. Terence is a self publisher himself and is a keen supporter of experienced and budding self publishers. He also specialises in print on demand books. Terence can be contacted at terence@bookpal.com.au . Also, please visit http://www.bookpal.com.au

Immortalize The Voice Of A Loved One. Hire A Ghostwriter.
Free the story trapped in a format indecipherable by most. Have the script rewritten into a manuscript, ready for self-publishing and self-promoting.

Imagine you’ve inherited the rights to a screenplay. You wouldn’t be alone. In fact, it’s trending -- understandable since forty thousand plus screenplays were written per year for the last twenty-five years. It was only a matter of time before they were resuscitated as last bequeaths.

Your imaginary benefactor’s eulogy glorified the dedication, the passion and the sacrifice with which words were capture to the page. Words, which in a unique style, voiced muses, meanderings and observations on life. Words which were this aspiring playwright’s most valued possession. Words which, for whatever reason, you now own!

Every writer has experienced the curse of an untold story. Haunted by one’s own ideas is aggravating enough. But to be reminded of a legacy-in-waiting at every family function is insufferable. What were once whispers of time ill-spent, have gossiped into a responsibility to the family name. ‘It’s a shame to think that the only credits her work earned were in her will’ will shadow you when all you want is more potato salad.

Whichever befits your character, a stoic answer to the call of duty or a dramatic capitulation with arms in the air, be prepared for the onset of reality. Your pen has just written promises it can’t keep. If you’re a writer, time is already rationed amongst personal projects. On the other hand, if you’re ‘narrative challenged’ (as she was) the task is a bit more foreboding.

So . . . who ‘ya gonna call? Ghostwriters!

Don’t dismiss the idea too fast. Appreciate that ghostwriting has been a guiltless yet respectable option for centuries. For as long as there have been speeches, memoirs or sequels, writing has been outsourced. The cultural handiwork of ghosts has not been limited to literature. Music and painting have a history of contributions by ghosts as well.

Does it honestly matter that ‘co-authored by’ or ‘as told to’ appears on the jacket, as long as the story is engaging? Odds are the book is better on account of it.

At the next visit to your favorite online bookstore, make a point to browse the memoirs. Much of the work has been penned on the condition of anonymity. Ask yourself these questions: ‘Do you really think as many were self-written as claimed?’ ‘Is it reasonable to assume that celebrities and sports figures whose success resulted from a lifetime of practice, were suddenly as equally adept at being proficient authors?’ Picking up a scalpel would be beyond belief, so why isn’t a pen?

In the publishing and film industries, ghostwriting is ubiquitous. The Development Editor identifies extensive revisions necessary to make a manuscript marketable. On a larger scale, teams of unnamed professional writers do the same to major Hollywood releases. A script reversed from the finished production would rarely resemble the original.

Don’t let partial notions prevent further consideration of ghostwriting when you cannot do it yourself. If a qualified writer can be found at an acceptable price, is it not worth it to break the curse and free the story?

Assuming the decision to proceed, the next step is to find one. Rather than searching ‘ghostwriter’, post the writing project on a freelance database. The first approach will list services charging $10K to $30K and the project will have to fit into their schedule. The second will return multiple bids ranging from $500 to $1000 from an international wealth of eager writers.

At these rates, your scribe will be scrambling. Consequently, even the most efficient writing can hide serious problems between the lines. It may be bland without inspiration. Characters may be stereotypical or weakly drawn. Backstory and exposition may be information dumps disrupting story flow. The style may be rift with distractions causing the reader to disengage. The potential for flaws is considerable. Therefore, expect to dedicate some time for editorial review. Lean on friends and family to critique it as if it were your own. Use a standardized critique from writing sites or an editorial filtering service.

Before posting a project description, understand the differences between a screenplay and a manuscript. Any screenplay, even one nominated by the Academy is not publishable as a novel. Few people would purchase a copy of a screenplay for a good read.

Other than the directing instructions, the story content of a screenplay is essentially a subset of a manuscript. Both have a hook, characters, dialogue, a problem, a goal, conflicts, a climax, character growth and an ending. In addition to this, the manuscript has narratives which elaborate on the setting, the backstory, the characterization, the action and the emotional depth. Without these, a screenplay is mostly dialogue. In a manuscript, dialogue typically comprises 40% to 60% of content.

Therefore, the project is basically to approach the dialogue of the screenplay like the plotting or the skeleton of the story. To this, narratives consisting of the missing elements are fleshed or layered in.

The project description also has evaluation and promotional components. It is appropriate to request a sample chapter on spec, as well as, a pitch, a synopsis, and a logline.

As the bids trickle in, the evaluation process resembles the role of an H.R. dept. Desirable skill-sets include the abilities to:

- make the author’s words jump off the page in their original voice and style rather than what they personally publish;
- experience and interest in the subject matter;
- package the concept so that an agent can sell it;
- proofread and polish their own work;
- collaborate;
- research;
and of course,
- write.

The ability to negotiate will depend totally on the number of the bids. Concerning quality, there are no guarantees at any price. One tactic, however, can hedge your investment. Try to negotiate a progressive payment agreement. Request to have performance advances released upon remittance of predetermined chapters/pages. If the writing does not meet expectations at pre-established milestones, no commitment to continue will exist.

A second tactic to enhance the caliber of writing is to fully disclose collaboration with the term ‘co-author’. With the ghost’s name on the jacket, more effort will probably be invested. The glory or celebrity given up in exchange is fleeting anyway.

Finally, offer splitting any proceeds 50/50. Few experienced writers will accept projects on spec. If a talented novice does, it may motivate writing as if it were for a bestseller.

The services of a ghostwriter is worth considering whenever a story is trapped in a screenplay and either time or ability is scarce. If the screenplay is your own, don’t leave it until the reading of your own will. Forget about naming beneficiaries because of interest once expressed in your writing. They’re family. They were just being polite. Do it yourself while you’re alive. Let them enjoy the potato salad!

Matthew Evans hosts www.changingmediums.com, a resource for playwrights interested in developing their screenplay further into a manuscript for the purposes of self publishing as a novel. Ghostwriting and freelance databases are examples of the topics discussed in more detail. Matthew reads for the editorial filtering service www.4gatekeepers.com. Copyright 2006

Self Publishing, A Miracle Of The 21st Century.
Are you a writer with lots of talent but no one will give you the time of day let alone a contract? Would you pay a professional publisher to make your book but can't afford it? Do you need a better tool than your plain old word processor to make your work look more professional and desirable? Do you possess special knowledge that if packaged in a book could make you millions? Well fret not your answer is very available to you now in the form of self publishing software tools!

These tools are electronic publishers that produce professional grade quality at a fraction of the price that it costs a traditional publisher to produce a book. They produce the work in the form of a PDF file which can be sent with an email, saved onto any form of memory storage media, downloaded onto your website, etc. This is hundreds of times more convenient than traditional publishing efforts and again at a very small fraction of the price.

The software is easy to use, designed to be used by a person with a 2nd grade level computer IQ. So, not even close to rocket science. A person can become proficient at using the program and start writing in a matter of hours. Yes, you heard me right -- you can have the necessary tools and be writing that book that you have been waiting a long time for in a matter of a few hours. Self publishing is a beautiful thing and I am just getting started.

When I said a fraction of the price of a typical publisher I only meant for one book. But think about it, you would have to continue to pay each time your next book came out which multiplies that fee over and over and over. But you only have to pay for the self publishing software once. It is very reasonably priced, and it is with you, at your beckoned call for life. Now that's a deal.

The last benefit of self publishing that I am going to talk about (not even close to the last benefit there is) is the true freedom of speech that you retain when you buy this tool. What I am referring to really is the editing process which for those who have already been published know can be a brutal process. Basically anything that you right is at the mercy of the publishing editor when you go the traditional route. But if you publish your own work it stays as you want it which is the way it should be. That's all for now, but if you want to know more just give me a ring, or fling me an email, or whichever you prefer.

Josephine Stungger has been writing for many years and enjoys helping young writers be successful in this field. She is excited about opportunities that are available through <a href="http://www.beginselfpublishing.info.">self publishing</a>. To find out more visit www.beginselfpublishing.info.